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book KAFKA ON THE SHORE : Haruki Murakami

The Boy Named Crow

“So you’re all set for money, then?” the boy named Crow asks in his characteristic sluggish voice. The kind of voice you have when you’ve just woken up and your mouth still feels heavy and dull. But he’s just pretending. He’s totally awake. As always.

I nod.

“How much?”

I review the numbers in my head. “Close to ?400,000 in cash, plus some money I can get from an ATM. I know it’s not a lot, but it should be enough. For the time being.”

“Not bad,” the boy named Crow says. “For the time being.”

I give him another nod.

“I’m guessing this isn’t Christmas money from Santa Claus.”

“Yeah, you’re right,” I reply.

Crow smirks and looks around. “I imagine you’ve started out by rifling drawers, am I right?”

I don’t say anything. He knows whose money we’re talking about, so there’s no need for any long-winded interrogations. He’s just giving me a hard time.

“No matter,” Crow says. “You really need this money and you’re going to get it – beg, borrow or steal. It’s your father’s money, so who cares, right? Get your hands on that much and you should be able to make it. For the time being. But what’s the plan after it’s all gone? Money isn’t like mushrooms in a forest – it doesn’t just pop up on its own, you know. You’ll need to eat, a place to sleep. One day you’re going to run out.”

“I’ll think about that when the time comes,” I say.

“When the time comes,” Crow repeats, as if weighing these words in his hand.

I nod.

“Like by getting a job or something?” “Maybe,” I say.

Crow shakes his head. “You know, you’ve got a lot to learn about the world. Listen – what kind of job could a 15-year-old kid get in some far-off place he’s never been to before? You haven’t even finished junior high. Who do you think’s going to hire you?”

I blush a little. It doesn’t take much to make me blush.

“Forget it,” he says. “You’re just starting out and I shouldn’t lay all this depressing stuff on you. You’ve already decided what you’re going to do, and all that’s left is to set the wheels in motion. I mean, it’s your life. Basically, you have to go with what you think is right.”

That’s right. When all is said and done, it is my life.

“I’ll tell you one thing, though. You’re going to have to get a lot tougher if you want to make it.”

“I’m trying my best,” I say.

“I’m sure you are,” Crow says. “These last few years you’ve grown a whole lot stronger. I’ve got to hand it to you.” I nod again.

“But let’s face it – you’re only 15,” Crow goes on. “Your life’s just begun and there’s a ton of things out in the world you’ve never laid eyes on. Things you never could imagine.”

As always, we’re sitting beside each other on the old sofa in my father’s study. Crow loves the study and all the little objects scattered around there. Now he’s toying with a bee-shaped glass paperweight. If my father was at home, you can bet Crow would never go anywhere near it.

“But I have to get out of here,” I tell him. “No two ways about it.”

“Yeah, I guess you’re right.” He places the paperweight back on the table and links his hands behind his head. “Not that running away’s going to solve everything. I don’t want to rain on your parade or anything, but I wouldn’t count on escaping this place if I were you. No matter how far you run. Distance might not solve anything.”

The boy named Crow lets out a sigh, then rests a fingertip on each of his closed eyelids and speaks to me from the darkness within.

“How about we play our game?” he says.

“All right,” I say. I close my eyes and quietly take a deep breath.

“OK, picture a terrible sandstorm,” he says. “Get everything else out of your head.”

I do as he says, get everything else out of my head. I forget who I am, even. I’m a total blank. Then things begin to surface. Things that – as we sit here on the old leather sofa in my father’s study – both of us can see.

“Sometimes fate is like a small sandstorm that keeps changing direction,” Crow says.

Sometimes fate is like a small sandstorm that keeps changing direction. You change direction, but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn’t something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn’t get in, and walk through it, step by step. There’s no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverised bones. That’s the kind of sandstorm you need to imagine.

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